Monday, October 20, 2014

Go read this book! Ancient Oceans of Central Kentucky by David Connerley Nahm





Ancient Oceans of Central Kentucky is the kind of book that can cast a spell over you, one that pulls you in. The writing is so beautiful, and the book’s mood so evocative, after you finish it, you’ll find yourself wanting to read it again.

I learned about this debut novel when the author, David Connerley Nahm, was interviewed on Brad Listi’s Other Ppl podcast. (That’s the podcast formerly known as Other People, which is still called “Other People” but is now spelled in that shorter and hipper style.) During the interview, I heard that the book was getting good reviews, that it involved kids telling scary stories, that Nahm is actually a practicing lawyer, and that he spent fifteen years (off and on) writing this novel. I decided to check my public library's catalog, and was amazed to see that it had been pre-ordered. (This appears to be the first book published by Two Dollar Radio that my library has purchased.) When it was available and I checked it out, I was honored and excited to see I was the first person to borrow it!

The book is about Leah Shepherd, a woman directing a non-profit agency in her hometown of Crow Station, Kentucky. When she was about ten years old, her younger brother, Jacob, went missing. He was never found, neither alive nor dead. The story is told by a third-person narrator who might be omniscient, but if he is, he certainly doesn’t tell us everything. Most of the book is written from Leah’s perspective, though some of the short sections put us inside other characters’ heads -- primarily Leah’s mother, but also her father, and Jacob (in flashbacks). There are also passages about the everyday life of the town and its residents, which add to the immediacy of the story. I felt like I was inside the skin of everyone in Crow Station.

The story is not linear, and there’s not much “action.” Instead, Nahm masterfully takes us inside Leah’s thoughts, emotions, and memories. We see her at work, or walking outside, or talking with her mother, and alongside the mundane activities of most days, we watch her mind wander, and we learn about her past. Through her, we get to know Jacob, find out what they both were like as children, and share the confusion and grief the family felt when Jacob first disappeared, and in the months and years that followed. In the same way that people get distracted, or if they see or hear something that reminds them of something else -- perhaps from far away and many years in the past -- the novel follows Leah’s trains of thought more than any kind of plot.

The best thing about Ancient Oceans of Central Kentucky is the quality of the writing. At the most basic level -- sentences and paragraphs -- this is truly a fantastic book. Here are a few excerpts to give you a sense of the style:

It is impossible to sleep in such heat, the body turning and twisting and tacky with sweat, so everyone stays up all night, listening to the chorus of crickets sounding the depth of the dark. And every night is every night that ever was all at once and every lonely boy prone in his bed is every lonely girl prone in hers, chests heaving with that painful pressure of hoping that there is someone out there unable to sleep on their account. The thunder ends. The crickets quiet. The houses settle and the only sound left is heavy breath in the night air. They get up, walk to the window and stare out at the dark yard, shallow breaths catching as they watch the shifting shape of the shadows, but it was nothing, they are certain, nothing but breeze, nothing, they are certain. (p. 28)


Distant howls and cries. They crept up the stairs toward a dim hallway and heard a voice, distant and low, and they knew that they’d found the horrific heart of the crumbling maze and would have to face the creature that writhed there. They peeked around the corner, to see what they could see. (p. 14)


And for this one, part of a description of Leah's workplace, I just had to share a photo of page 69 so you'd get the full effect:



As I read Ancient Oceans, the other book that kept coming to mind was Tinkers by Paul Harding, another stream-of-consciousness type of novel with gorgeous language, that went on to win the Pulitzer Prize. Do I need to say more than that? David Connerley Nahm is a gifted writer, and I hope this novel becomes one of those small press success stories. And then, I hope he can find time to write more beautiful books.

Friday, October 17, 2014

Yep, I'm doing Dewey's Read-a-thon!




I took the day off from work, but since the boys were also out of school, and Jeff left a to-do list for me, I haven't had a chance to do what I'd originally planned to do today: to get some more of my books in order before the read-a-thon, and do some of the housecleaning I won't do tomorrow because I will be reading. So, this is not a long or fancy or detailed post, but just a quick one to say:

It's Read-a-Thon time, and I am IN!

I'm so excited for tomorrow!  :-)


Updating at 2pm Central Time, 10/18

The read-a-thon started at 7am my time, but I didn't start reading until 8. My progress so far:
8-9am:  Faithful and Virtuous Night by Louise Gluck (poems), 35 p.
9-10am:  Gluck, 23 p.
10-11am:  Gluck, 11 p. (finished book)
11am-12noon:  Station Eleven by Emily St. John Mandel (novel), 18 p.
noon-1pm:  Mandel, 24 p.
1-2pm:  none -- I had lunch, looked at a few blogs, then took a shower and got dressed. I feel refreshed and am ready to get back to Station Eleven, which is very good so far!

 

Sunday, October 5, 2014

Book review: Home Leave by Brittani Sonnenberg


(I really love this cover!)

I received an advance reader’s copy of Home Leave, the debut novel by Brittani Sonnenberg, through the LibraryThing Early Reviewers program. Many thanks to LT and to Grand Central Publishing (Hachette Group) for the opportunity to read and review it.

Description from Hachette’s site:
Chris Kriegstein is a man on the move, with a global career that catapults his family across North America, Europe, and Asia. For his wife, Elise, the hardship of chronic relocation is soothed by the allure of reinvention. Over the years, Elise shape-shifts: once a secretive Southern Baptist, she finds herself becoming a seasoned expat in Shanghai, an unapologetic adulterer in Thailand, and, finally, a renowned interior decorator in Madison.

But it's the Kriegstein daughters, Leah and Sophie, who face the most tumult. Fiercely protective of each other -- but also fiercely competitive -- the two sisters long for stability in an ever-changing environment. With each new move, the girls find they can count on only one thing: the consoling, confounding presence of each other.

When the family suffers an unimaginable loss, they can't help but wonder: Was it meant to be, or did one decision change their lives forever? And what does it mean when home is everywhere and nowhere at the same time? With humor and heart, Brittani Sonnenberg chases this wildly loveable family through the excitement and anguish of their adventures around the world.

Brittani Sonnenberg is a talented writer, and the range of narrative styles in Home Leave illustrates a willingness to be experimental. I looked at the other LibraryThing reviews, and a few of them expressed frustration at some of the narrators Sonnenberg used. For me, that was one of the most enjoyable aspects of the book. When I started reading, I couldn’t figure out who was narrating. I re-read the description on the back of the book, looking for some hint. On page three or four, it became clear who it was, and I thought of starting my review with: “You won’t be able to guess the first narrator, so just go with it; you’ll know who it is by page four.” Other reviewers hated that beginning, but I thought it was cool. There are two chapters written as mini-plays, and there’s a chapter near the end of the book written in first person plural. All of these worked fine for me, but they won’t work for everyone.

The book opens with two epigraphs; one of these explains, “The purpose of home leave is to ensure that employees who live abroad for an extended period undergo reorientation and re-exposure in the United States on a regular basis.” Chris Kriegstein is from Indiana, and Elise grew up in Mississippi. The young family spends about four years in Atlanta, and two or three in Shanghai, but for sisters Leah and Sophie, “home” is really one another. Sonnenberg paints these two girls, and their relationship, very realistically. Leah sometimes takes care of Sophie, but is just as often annoyed with her. Leah is quiet and bookish, while Sophie is more energetic and adventurous. As Leah becomes a moody teenager, they drift apart somewhat … but not far apart.

Readers who prefer “likeable” characters could have problems with Elise. The publisher blurb says that she “shape-shifts,” and one of her identities is “unapologetic adulterer.” When Leah is a baby, Elise often feels trapped by motherhood, and when she learns she is pregnant for a second time, she isn’t happy about it. However, when the girls are a bit older and the family is abroad, Elise often seems like a “normal” mom: she has her quirks and bad moods, but it’s clear that she loves her daughters. Chris is probably the least vivid of the main characters, to me, and yet I did like him a good deal. We learn in the second chapter (which seems to be set the closest to present day) that Chris was a star athlete in his Indiana high school, became a successful businessman who lived in several countries, and is now his company’s CEO. He and Elise are still married and living in Madison, Wisconsin, having made it through her affair, his overseas jobs, their mutual grief.

The backdrop of the novel is the panorama of international settings, but at its heart are grief and loss. The family suffers a tragedy, and can’t return to normal. There’s some irony, too, in the title of the book: “home leave” is what Elise and the girls take for a couple of months each summer, while Chris remains in China, but Leaving Home is what Chris and Elise both wanted desperately to do when they were growing up -- and succeeded, spending several years on the other side of the world. Leaving Home is what Leah and Sophie do as well, in very different ways. Sonnenberg weaves a fine tapestry of people, place, time, and loss, that will stay with me for a long time.

Thursday, August 28, 2014

Women in Translation Month (#WITMonth): The Hunger Angel by Herta Müller

A blogger who goes by Biblibio (and only just posted her real name this last week) created an event called Women in Translation Month, to increase awareness of books in translation written by female authors, and to highlight the fact that there are far more books by men translated into English than books by women. You can read more about it on the Biblibio blog.

I've been following her posts all month and wanting to join in, if only in a small way, and finally have a small window of time to get this review up. Back in the spring of 2012, I won a copy of the novel The Hunger Angel by Nobel Prize-winning German author Herta Müller through LibraryThing's Early Reviewers program. (It wasn't an ARC, but an actual hardcover book -- very rare in LTER giveaways! Many thanks to Henry Holt and Company, and of course to LibraryThing, for the opportunity to read and review the book.) I posted my review on LT in August 2012, but it appears that I never posted a review here on the blog. So, I decided to copy it here from LT, in recognition of #WITMonth. I'm thrilled that Biblibio decided to create this event, and I hope it has brought some much-needed attention to women writers in translation, and the fact that we need more of them!




The Hunger Angel tells the story of 17-year-old Leo Auberg's deportation to a Soviet labor camp, and the five years he spent there. If you read novels mainly for plot or character development, this one might not be for you. It helps to know BEFORE you try to read it that the story isn't really linear, but could instead be called episodic. The chapters are very short, and some of them describe actions and events that occur during Leo's time in the labor camp. However, some of them are primarily descriptive; their purpose is not to move the story forward, but to add another layer to our understanding of Leo's experiences in the camp.

Because the chapters are short and serve these two different purposes, I found some to be more interesting than others. It also made for a slightly disorienting reading experience. But the book is well worth reading -- for the power of the writing and language, and the light it shines on a dark period in history. Müller places Leo's focus on physical experiences and specific objects, and this stylistic decision draws the reader into the labor camp. I believe that reading this novel is MEANT to be disorienting, that the reader SHOULD feel a sense of unreality and nightmare, in between moments of hypnotic focus on physical objects.

Müller made the not-uncommon decision to omit quotation marks from the novel. At some point while I read, I realized that it also contains no question marks. In the translator's note at the end of the book, Philip Boehm confirms that he followed this stylistic choice from the German original -- and that's where I learned there are also no semi-colons in the book. The limited punctuation adds to the reader's confusion and disorientation, particularly when reading a sentence that is obviously a question. The last sentence in the chapter called "Cement" is, "So why can't I disappear" (p. 33). This happens again and again, increasing the sense of confusion and dislocation.

Don't read The Hunger Angel looking for plot, and don't try too hard to keep track of all the characters mentioned -- many of them are not clearly defined, and not too important in themselves. Read it to admire the way Müller uses language to bring this dark history to life, and to pull you into Leo's world.

Tuesday, August 19, 2014

Book review: The Appetites of Girls by Pamela Moses





When I saw this book on LibraryThing’s Early Reviewers list this past spring, I knew it would be right up my alley (she said, while having an afternoon snack). So, thank you to LibraryThing, and to Putnam Books (Penguin Group), for the chance to read and review an advanced copy of The Appetites of Girls, the debut novel by Pamela Moses.

From the Penguin website:
Self-doubting Ruth is coddled by her immigrant mother, who uses food to soothe and control. Defiant Francesca believes her heavy frame shames her Park Avenue society mother and, to provoke her, consumes everything in sight. Lonely Opal longs to be included in her glamorous mother’s dinner dates—until a disturbing encounter forever changes her desires. Finally, Setsu, a promising violinist, staves off conflict with her jealous brother by allowing him to take the choicest morsels from her plate—and from her future. College brings the four young women together as suitemates, where their stories and appetites collide. Here they make a pact to maintain their friendships into adulthood, but each must first find strength and her own way in the world.

The book is divided into three “Parts,” and also has a short prologue and epilogue. Part One introduces each of the girls at a critical point during childhood or early adolescence. Part Two details their meeting at Brown University as suitemates, the development of their friendships, and some of the significant experiences they have during those college years. Part Three explores the different paths they take after graduation. Within each Part, there are four long chapters, each narrated by one of the four main characters.

The primary narrator is Ruth; the prologue and epilogue are both in her voice, and the chapter subtitles that indicate who narrates never say “Ruth’s Story,” but always “My Story.” In spite of this, the book feels fairly well-balanced among the four characters. Their voices aren’t vastly different -- which might be seen as a minor “debut novel flaw” -- but their personalities and interests are distinct enough that after a few paragraphs, I easily settled into that character’s story and perspective.

It’s probably clear from the description that this is character-driven literary fiction. Most of the “action” centers around university life and friendships, and family relationships. The novel doesn’t have a “plot” so much as incidents and vignettes, weaving together, and then shifting focus from one chapter, one narrator, to another, and so on.

Moses’s decision to use first-person narration for each of the characters seems like a wise one to me. It brought an immediacy to all four young women’s experiences that made me feel like I was right there with them through everything. I wanted to speak up for them, and defend them: Ruth’s mother really needed to get off her daughter’s back, and Setsu’s brother made me so angry, I wanted to give him a smack. During the girls’ happier moments, I felt like I was celebrating with them, watching from a quiet corner of the room.

The themes surrounding food resonate throughout the novel, of course -- eating with loved ones, bingeing alone, rewarding oneself with sweet things, sometimes overeating, other times denying oneself the tastes one most desires. The actual appetites of the characters do play a role in some of the situations, but they do not yearn only for food. It is often so difficult to discover those things that bring us true happiness, that make us feel truly fulfilled. While we’re looking for “the real thing,” we might get sidetracked by lesser pleasures, or try to fill that empty feeling, at least for a moment, with things that are close at hand: chocolate, chips, cheeseburgers. As this novel illustrates, the real appetites of many girls and women are vastly more complicated, and can’t be satisfied with only dinner and dessert. In the stories of Ruth, Francesca, Setsu, and Opal, Pamela Moses has given us four young women who had to learn what they were truly hungry for, and then decide how they might attain it. Their journeys are full of missteps and regrets, some successes, and lasting friendships. I loved spending time with them.

Sunday, April 27, 2014

Why I love love love Wickett's Remedy by Myla Goldberg (especially the audiobook)



When it was fairly new, my book group read Bee Season by Myla Goldberg. I liked it very much, and I think most of the other members of the group felt the same way. I had purchased the book, and I still have it. Of course, it was a bestseller, and was eventually adapted into a movie (which I never did see -- by then we had kids and less free time).

Around the time when her follow-up, Wickett's Remedy, was published, Myla Goldberg was at a book event -- might have been Book Expo America, but I'm not sure -- and she gave a talk about some of the research she had done for the new book. (I watched this talk on television -- specifically, on Book TV.) She mentioned spending time in the reading room of New York Public Library, and requesting some World War I-era newspapers from the closed stacks. She talked about the Spanish influenza epidemic of 1918. Her enthusiasm for her subjects, and for library research, made me like her even more than I'd liked her first book.

In 2007, I came across the audiobook of Wickett's Remedy at the library, and checked it out. I was interested to hear the story, but doubly intrigued when I saw that Myla Goldberg was narrating it. Many authors are NOT great narrators, but having seen that talk on Book TV, I thought Goldberg might pull it off. She did not disappoint, and I fell in love with this novel. I even have it in my Favorites collection on LibraryThing.

The reviews were mixed for this book. Part of this has got to be because Bee Season was such a hit, and it would be hard for the next book to live up to that. (All this talk about Donna Tartt, who just won the Pulitzer for heaven's sake for The Goldfinch, her third novel, and how much people still love her debut, The Secret History, after all these years, and all they say about the second novel is, "Oh, she did have The Little Friend in between, but that wasn't as well-received." So a bit of sophomore slump is fairly common. Okay, sorry for the long aside.) But also, readers who were expecting something in the same vein as Bee Season were in for a bit of a shock. While the first book is contemporary, the second is set in Boston during the 1910s, and the largest part of the story is set around 1917 and 1918, with the backdrop of America's entrance into World War I, and the Spanish influenza epidemic. Bee Season, as I recall, has a fairly traditional, mostly linear narrative, while Wickett's is a patchwork of voices and formats.

People who like mixed formats and somewhat experimental fiction, along with multiple narratives and timelines, should really try Wickett's. The main story is about Lydia Kilkenny, a young woman from an Irish Catholic South Boston family who works in a department store, meets and marries a medical student named Henry Wickett, then helps him to develop a "remedy" to ease people's minor ills. The secondary storyline is about a man named Quentin Driscoll and his "QD Soda," a product and company launched around 1918. These parts of the story are primarily told through excerpts from a newsletter, the "QDISPATCH" or "QD Dispatch," dated in the early 1990s. (Some of the QD stuff is maybe longer than it needs to be, but I found it mostly entertaining. And think about branding, brand loyalty, and consumer culture as it is today, and the QD Soda Company doesn't seem like a big stretch.)

The book also includes articles and letters from newspapers, many of which are taken directly from newspapers of that period. (In the audio, the news articles are accompanied by the clacking of typewriter keys.) While we spend much of the book very close to Lydia, the news clippings add a sense of the epidemic's scope, its terrible impact beyond the Boston of the novel. The Quentin Driscoll storyline also includes some correspondence: letters from an elderly man to his son, and from the management of a nursing facility to Ralph Finnister, the CEO of QD Soda in the 1990s.

Finally, there are the voices of those who have passed on, speaking from beyond the grave, giving further perspectives on the main action of the novel. So, while Lydia’s story is the largest part of the novel, and it’s written in typical third-person, linear fashion, it’s surrounded by notes in the margins, where these other people are adding their two cents to the narrative. I would guess this is the most disorienting part of reading the print version of the book, and it could have been frustrating to me as well. It might be difficult to know exactly where to “insert” the additional comments so that they fit into the flow of the story. Because I listened to the audio version, I didn’t have to make those decisions, it was all just read to me. Moreover, they are narrated by other people, not by Myla Goldberg, so it’s always clear that it’s an aside from a voice beyond, a sidestep from the main story. The CD’s box says, “Read by the Author, with David Aaron Baker, Chris Burns, Ilyana Kadushin and Stina Nielsen.”

The additional narrators and occasional sound effects help to bring the action to life. Goldberg’s lively delivery makes her a great companion as you follow Lydia’s journey from home to marriage, through grief, to the discovery of her true calling, and toward renewed hope. Wickett's Remedy has a sense of immediacy that brought me into Lydia’s life, and inside the influenza epidemic, and quite simply touched my heart. I wish more readers, and audiobook fans, might give it a try, and some of them fall in love with it as I did.

Friday, October 11, 2013

Read-a-Thon tomorrow!



I took the day off from work today so I could do most of the housecleaning I usually do on Saturdays. Tomorrow, I'm going to be READING! Or at least that's my plan. Even if I don't read a TON, it feels good to have a good amount of cleaning done, and a block of time when I know I'll be able to read. At the very least, I want to finish TransAtlantic by Colum McCann, since we're discussing it at my book group in a few days. After that, it's all gravy.

Over 400 people have signed up to participate in the 24 Hour Read-a-Thon. I'm so happy to be joining them!